READER - RESPONSE
~ A literary criticism that focuses primarily on the reader's reaction to a text.
~ It recognizes the reader as an active agent who imparts "real existence" to the work and completes its meaning through interpretation.
~ It redefines the role of the text from an independent object into something that can only exist when it is read and interacts with the mind of the reader.
A LIFE - Sylvia Plath
~ A literary criticism that focuses primarily on the reader's reaction to a text.
~ It recognizes the reader as an active agent who imparts "real existence" to the work and completes its meaning through interpretation.
~ It redefines the role of the text from an independent object into something that can only exist when it is read and interacts with the mind of the reader.
A LIFE - Sylvia Plath
Touch it: it won't shrink
like an eyeball,
This egg-shaped
bailiwick, clear as a tear.
Here's yesterday, last
year ---
Palm-spear and lily
distinct as flora in the vast
Windless thread work of a
tapestry.
Flick the glass with your
fingernail:
It will ping like a
Chinese chime in the slightest air stir
Though nobody in there
looks up or bothers to answer.
The inhabitants are light
as cork,
Every one of them
permanently busy.
At their feet, the sea
waves bow in single file.
Never trespassing in bad
temper:
Stalling in midair,
Short-reined, pawing like
parade ground horses.
Overhead, the clouds sit
tasseled and fancy
As Victorian cushions.
This family
Of valentine faces might
please a collector:
They ring true, like good
china.
Elsewhere the landscape
is more frank.
The light falls without
letup, blindingly.
A woman is dragging her
shadow in a circle
About a bald hospital
saucer.
It resembles the moon, or
a sheet of blank paper
And appears to have
suffered a sort of private blitzkrieg.
She lives quietly
With no attachments, like
a foetus in a bottle,
The obsolete house, the
sea, flattened to a picture
She has one too many
dimensions to enter.
Grief and anger,
exorcised,
Leave her alone now.
The future is a grey
seagull
Tattling in its cat-voice
of departure.
Age and terror, like
nurses, attend her,
And a drowned man,
complaining of the great cold,
Crawls up out of the sea.
CRITICISM
As stated above, in the reader response theory, the reader
is the one who gives meaning to what they have
read through his or her interpretations. In this poem A
life, the speaker here is asking to touch something. It
could be a picture or something else but due to the very
large scale of different views I therefore conclude
that the speaker was referring to a painting. The speaker
want us to touch the painting that has different
beautiful views of nature, based on what i have understood.
So here I can infer that the while the speaker is
describing the surroundings, she may be felling happy and relaxed,
but at the last part of the poem, the
speaker suddenly changed her subject. the speaker already
involved different people, a man and a woman,
who is both suferring I think in depression.They cannot
appreciate or they are not somehow related to their
outside world. The woman that was mentioned in the poem was
in the hospital so it is obviously that she
cannot the beautiful views. Same with the man in the
poem.
So to Sum up, I can infer that the poem was all about how
people always enjoy views of nature without even
realizing that some poeple are suffering from many factors
and cannot enjoy what others enjoy.
So This is it! This is how I interpreted the poem, but as
another reader read the poem, he or she may
have a different interpretation regarding on what they read.
That will explain how reader response
theory works.
The poem itself is very deep in meaning it will depend upon
the reader on how she or he will interpret it.
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